- Title: Vanishing of Katharina Linden
- Author: Helen Grant
- Released: 2009-04-01
- Pages: 352
- ISBN: 0141325739
- ISBN13: 978-0141325736
- ASIN: 0141325739
I’m often asked “What inspired you to write The Vanishing of Katharina Linden?” I never get tired of this particular question, because it’s a subject that lies very close to my heart. The book was inspired by the little town of Bad Münstereifel in Germany. It’s the setting of The Vanishing of Katharina Linden, and it’s not a fictional place-–it’s a real town, and we lived there for seven wonderful years.
When we moved to Bad Münstereifel in 2001 my husband was anxious that I would be bored. “You can walk from one end of the town to the other in about two minutes,” he said. Actually I found Bad Münstereifel the most fascinating place. It is like stepping into the past. There are cobbled streets and old half-timbered houses, beautiful old churches and creepy castles. I’ve always loved folk tales and legends, and Bad Münstereifel has lots of those. The stories which Herr Schiller tells to Pia (the heroine) in the book are all genuine Bad Münstereifel folk tales. They were collected and published around 1910 by a local priest called Father Krause. I came across some of the stories in anthologies and went to read the originals at a library in Düren. They were written in old-fashioned German and printed in the Gothic type that was very popular in Germany at that time, which made it extremely difficult to read them! But I persevered because it was such an amazing journey of discovery for me. There was one particular character who really stood out, and that was “Unshockable Hans”, the miller who was not afraid of anything, even witches and ghosts. There are a number of stories about him. He seemed to represent the spirit of the town–-forthright, God-fearing and intrepid. I wanted him to be a central character in my book. I liked the idea that the heroine, Pia, would be inspired by his bravery to do her own investigations into the disappearances in her home town.
People sometimes ask me about the ending of the book, as it isn’t entirely a happy one for Pia, given her family situation. I think this reflects my own feelings about having to leave Bad Münstereifel. I loved living there so much, but I always knew that one day we would have to leave. That sadness is part of my love for the town, and Pia’s too. I’d like to think that The Vanishing of Katharina Linden is a memorial to a wonderful place and time in my life.
(Photo © Gordon Grant and William Bond)--This text refers to the edition.
From Publishers Weekly It may seem strange to describe Grant's debut as a charming horror novel, but there's a determined amiableness about the narrative that will appeal to readers who wouldn't typically be drawn to such subject matter. It's December 1998, and 10-year-old Pia Kolvenbach and her family are living happily in the quaint German town where her father grew up, until Pia's grandmother accidentally sets herself on fire and burns to death. A rumor erupts that her grandmother exploded, and, overnight, Pia becomes an outcast. Her only friend from then on is the most unpopular boy in her class, nicknamed StinkStefan. The two of them begin visiting an elderly man who entertains them with ghost stories from local folklore that Pia and StinkStefan hope might help them solve the decades-old mystery of a number of local girls who have gone missing. The story's richness isn't as much in the mystery plot as it is in the finely rendered background, where desperate parents strive to protect their children in an uncertain world, though the simplicity of the narration makes the novel feel lighter than probably intended. (Aug.)
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